One God Taking Care oF EveryOne

Hey everyone here's another song we've done we haven't published it yet but here's the lyrics i hope you'll like it :)     

Finnally and under lot of requests here i am posting one of my own songs so comment it and be honnest and if you wanna hear the song it's on www.myscpace.com/warstormofficial & here we go :

ABSOLUTION

No I can't handle it. I gotta reveal it.

I’m seeking absolution

I believed in you I thought you were the one

While all I believed was in vain

Such damage I've been through

Yet I'm a living proof you couldn't get anywhere...

Pain, fear, darkness that's my life

I couldn't feel anything with my frozen heart

Do you own me?

Did I owe you?

So tell me what life is this

Because I do know that life is harder than war!!

But will I ever Release my heart from its awful misery

& all this pain...

When I was looking at these eyes I felt envy

I felt agony …. Like the sun through the night walker

When I was looking at these eyes I cried with no tears

Cause I was bleeding insiiide..

Pain, fear, darkness that's my life

I couldn't feel anything with my frozen heart

Do you own me?

Did I owe you?

So tell me what life is this

Because I do know that life is harder than war!!

But will I ever Release my heart from its awful misery

& all this pain

Thank u for saving me but could you forgive me

So please redeem my sins when I was sinful

When I was silly I’ve wrapped up in things I can’t say

So don’t you stay away seeing me burning?

Please redeem my sins

And kill that evil living inside of me

Cause my soul can no longer bear this sorrow

Please redeem my sins

And kill that evil living inside of me

Cause my soul can no longer bear this sorrow

Though you can see me smiling but I'm bleeding inside

Absolution is my aim and I'll reach it …

Well I'm asking absolution… absolution… absolution...

                                                                            Written By Hamza

                                                                                                            © copyright

                                                                                                                             All right reserved 2007-2008

Musical impact

As the origin of the blues scale, the blues has exerted a profound influence on many styles of music. Many jazz, folk or rock performers, such as Louis Armstrong, Duke Ellington, Miles Davis, Bob Dylan and The Red Hot Chili Peppers, have performed significant blues recordings. The blues scale frequently is found in non-blues musical forms, such as popular songs like Harold Arlen's "Blues in the Night", blues ballads like "Since I Fell for You", and even orchestral works like George Gershwin's. Indeed, the blues scale is ubiquitous in modern popular music and informs many modal frames, especially the ladder of thirds as in "A Hard Day's Night". The first great country music star Jimmie Rodgers was a blues performer. Guitarist/vocalist Tracy Chapman's hit "Give Me One Reason" was a 12-bar blues

The influence of both the twelve-bar structure and the blues scale on rock-and-roll music was so profound that rock and roll can properly be classified as an outgrowth of blues, or even "blues with a back beat". Elvis Presley's "Hound Dog", with its unmodified twelve-bar structure is a blues song transformed to a new genre by rhythm and sheer energy. One can hardly find a major song from rock-and-roll's revolutionary period that is not, at its roots, a blues composition transformed by rhythm: "Johnny B. Goode", "Blue Suede Shoes", "Whole Lotta' Shakin' Going On", "Tutti-Frutti", "Shake, Rattle, and Roll", "What'd I Say", and "Long Tall Sally". The early African American rock musicians retained the frank sexual themes of blues. "Got a gal named Sue, knows just what to do" or "See the girl with the red dress on, she knows how to do it all night long" are hard to mistake. Even the subject matter of "Hound Dog" contains well-hidden sexual double entendre. More sanitized early "white" rock borrowed both the structure and harmonics of blues, although minimizing harmonic creativity and sexual nuance, such as Bill Haley's "Rock Around the Clock". Many white musicians who covered black rock songs would go so far as to change the words; possibly the most famous example was Pat Boone's cover of "Tutti Frutti", which originally started "Tutti frutti, loose booty . . . a wop bop a lu bop, a good Goddamn." In addition the blues had an influence on jazz, the big bands ,the rythme and blues, rock and roll,  hard rock, country music ,la musique pop, and also classic music

Social impact

Like jazz, rock and roll and hip hop music, blues has been accused of being the "devil's music" and of inciting violence and other poor behavior. In the early 20th century, the blues was considered disreputable, especially as white audiences began listening to the blues during the 1920s. In the early twentieth century, W.C. Handy was the first to make the blues more respectable to non-black Americans.

 Lyrics

Early blues frequently took the form of a loose narrative, often with the singer voicing his or her "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, hard times". Many of the oldest blues records contain gritty, realistic lyrics, in contrast to much of the music being recorded at the time. One of the more extreme examples, "Down in the Alley" by Memphis Minnie, is about a prostitute having sex with men in an alley. Music such as this was called "gut-bucket" blues. The term refers to a type of homemade bass instrument made from a metal bucket used to clean pig intestines for chitterlings, a soul food dish n rocky or steamy man-woman relationships, hard luck and hard times. Gut-bucket blues and the rowdy juke-joint venues where it often was played, earned blues music an unsavory reputation. Upstanding church-going people shunned it, and some preachers railed against it as sinful. And because it often treated the hardships and injustices of life, the blues gained an association in some quarters with misery and oppression. But the blues was about more than hard times

Musical style

as i said befor we will talk about everythin bout the blues we will start with its origin

first of all  the first appearance of the blues isn't well defined and is so often dated between 1870and 1900 some characteristics have been present since before the creation of the modern blues and are common to most styles of African American music. The pre-blues music was adapted from slave field shouts and hollers, expanded into "simple solo songs laden with emotional content". The blues, as it is now known, can be seen as a musical style based on both European harmonic structure and the West African call-and-response tradition, transformed into an interplay of voice and guitar

Many blues elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa.

What is now considered "blues" as well as modern "country music" arose at approximately the same time and place during the nineteenth century in the southern United States. At the time, there was no clear musical division between "blues" and "country

Stringed instruments (which were favored by slaves from Muslim regions of Africa…), were generally allowed because slave owners considered them akin to European instruments like the violin. So slaves who managed to cobble together a banjo or other instrument…could play more widely in public. This solo-oriented slave music featured elements of an Arabic-Islamic song style that had been imprinted by centuries of Islam's presence in West Africa, says Gerhard Kubik, an ethnomusicology professor at the University of Mainz in Germany who has written the most comprehensive book on Africa's connection to blues music (Africa and the Blues).

Kubik also pointed out that the Mississippi technique of playing the guitar using a knife blade, recorded by W.C. Handy in his autobiography, is common to West and Central Africa cultures where the kora, a guitar-like instrument, is often the stringed instrument of choice. This technique consists of pressing a knife against the strings of the guitar, and is a possible antecedent of the slide guitar technique.

well here we start with the blues which is 
 a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. The form evolved in the United States in the communities of former African slaves. The blues has been a major influence on later American and Western popular music, finding expression in ragtime, jazz, bluegrass, rhythm and blues, rock and roll, hip-hop, and country music, as well as conventional pop songs.

Hey as i promised here is the begining of this wonderful blog and i'm gonna start with the style that give the birth to all the others so i think you all know it very well cos it comes from africa and without it may be we couldn't find some legends n' nemerous styles wouldnt have the chance to be descouvered.

So is the picture clear now it's the blues ;yep the blues the root of all.

And in the next journals  i will pinpont the blues very carefully then givin' the best artists,songs;lyrics;instrument.......

GOOD LucK

hello everyoneso here is how i will manage our blog first don't forget it's 100/100 rock &metal music so i will mention  all the kinds of our nice music from A to Z and because of it's so large we will take each type apart; givin its definition (the caracteristic, what is the purpose of the lyrics and the kind of problems are solved by the music also which instrument used on it.........) and i won't forget tellin ya the best  bands and songs of it.

So this is a samll idea of this great blog.

for suggestion let your note

    hello everyone you are so welcome my honor to recieve you here i hope you enjoy checking my blog.

well i'm just starting it hoping make it the best and i'm sure you will like it cos it will conatin everything talkin about rock music and metal with all its types.

 so let's start and welcome again